
1880 Providence Art Club: Watercolors
A Source of Artist Income
“Two years ago, a trio of local artists banded themselves together for mutual protection, intending to make a united stand against their arch enemy, the dealer.” – Dec 3, 1880 Providence Press
Even with the founding of RISD in 1878, the local artist community recognized a need for their own association and thus organized the Providence Art Club for the purpose of elevating local taste along with exhibiting and selling their art. Evidence of the desire that the Providence Art Club be independent was an early vote by its members in the 1880’s not to merge with RISD. The Providence Art Club and RISD were both housed in the Hoppin Homestead Building and the club rented exhibition space from the school but the institutions remained separate entities in the early years.
Art exhibitions at the Providence Art Club offered artists the opportunity to sell works, receive critical reviews and develop patronage. Watercolors became quite popular because of its affordability to patrons and the income provided for artists. By 1896 a separate Watercolor Club and annual watercolor exhibit emerged at the PAC.
Selected sampling of historic Providence Art Club artists currently on view in Divine “Providence” include Charles Stetson, Sydney Burleigh, Elijah Baxter and Stacy Tolman.
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August 12, 2010

1876 Philadelphia Centennial
The Centennial Celebration in Philadelphia marked the 100th anniversary of the founding of the United States and Rhode Island was the fifth highest state contributor to the event. Local painters Edward Bannister, Thomas Robinson were juried into the competitive art tent, along with RI women artists – Rosa Peckham, Emily Selinger and Clara Maxfield Arnold.
By the 1876 Centennial celebration, yet another layer of artists was added to the Providence cultural contingency. This group more sophisticated, more pro-active, well read in the arts and better trained with European instruction in Paris or Munich. Some benefited from instruction at the Lowell Institute, which was running Saturday classes in Providence on Benefit Street. George Whitaker, Rosa Peckham, Charles Stetson, Marie Chapin, Sydney Burleigh, Stacy Tolman and Edward Bannister added to the numbers of professional artists. At the Centennial Exhibition not only were Rhode Island artists selected to exhibit but also the triumph for the hard working local artist was sweetened when fellow Rhode Islander Edward Bannister received the bronze painting medal. He became the first African-American artist to receive a national award in 19th century America and he promptly sold his painting Under the Oaks for $1,500 to an enthusiastic Boston buyer.
A selected sampling of artists from the Centennial exhibit currently on view in Divine “Providence” includes Edward Bannister, Thomas Robinson and Emily Selinger.
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August 5, 2010

Divine Providence: Laying the Foundation of Art Culture in Providence, Rhode Island
The 1855 Group
Even given a harsh cultural climate in the United States, history shows us that artists are a stubborn lot and in the 1850’s a young determined group of painters assembled in Providence.
Frederick Batcheller (1835-1899), John Arnold (1834-1907), Marcus Waterman (1834-1914), James Lewin (1836-1896) and Thomas Robinson (1834 -1888) witnessed Providence emerging as a prominent urban center in New England. Sailing wooden ships unloading China Trade fineries had been displaced by smoke stacks and cogwheels evidence of the surge of industrialism in American society. Providence, as the nation, was forced to grapple with the upheaval caused by rapid growth. A growing body of concerned citizens started to recognize that “the arts” were an important asset for the state.
This “1855 group” was the earliest in Providence to band together to grow their artistic thoughts and talents. The only exhibit opportunities available to them were in the tents of the “Rhode Island Society for the Encouragement of Domestic Industry” – a local community fair.
A selected sampling of The 1855 Group of artists currently on view in Divine “Providence” includes John Arnold, Thomas Robinson and Frederick Batcheller.
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Our silver anniversary exhibit, Divine “Providence” and Its Arts Destiny, is now open! The exhibit runs from July 14 through September 24, 2010. A remarkable number of artists have lived and painted in Rhode Island over the years, but the 19th century brought together artists, collectors and institutions that fostered a distinct art culture recognized both nationally and internationally. This exhibit explores many of the artists beginning in the 1870s, along with their stories in context of the local creative community and the larger American art historical developments. Opening reception for this exhibit happens during Gallery Night Providence on Thursday July 16, 2010. Please click here for more information about, and to view a slideshow featuring pieces from, the exhibit.
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July 26, 2010

Gallery Night Providence happens this evening from 5-9pm. Please join us at Bert Gallery for our closing receptions for our James Herbert and Contemporary exhibits. Meet the artists featured in our Contemporary exhibit from 7-8pm! For more information about these exhibits, please click here. For information to attend other venues for June Gallery Night, please click here.
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June 17, 2010